May we remember to look as closely as we do when we are in foreign lands, and maybe bring a little of the amazing colors back home with us.
Monday, December 28, 2009
"Iqbal, that great poet, was so right. The moment you recognize what is beautiful in this world, you stop being a slave. To hell with the Naxals and their guns shipped from China. If you taught every poor boy how to paint, that would be the end of the rich in India."
from The White Tiger by Aravind Adiga
Saturday, December 26, 2009
Friday, December 25, 2009
Tuesday, December 22, 2009
"Life moves on, whether we act as cowards or heroes. Life has no other discipline to impose, if we would but realize it, but to accept life unquestioningly. Everything we shut our eyes to, everything we run away from, everything we deny, denigrate or despise, serves to defeat us in the end. What seems nasty, painful, evil, can become a source of joy, and strength, if faced with an open mind. Every moment is a golden one for him who has the vision to recognize it as such."
Henry Miller
Sunday, December 13, 2009
"This was the year, at five or six, that I learned the meaning of "reverence," which, as I understand it, is the natural attitude to take toward magical, unverifiable, phenomena, the same way that "respect" and "obedience" describe the attitude one takes toward observable physical phenomena, such as gravity or money."
from 'All That' by David Foster Wallace
Wednesday, November 25, 2009
Thursday, November 19, 2009
Thursday, November 12, 2009
Thursday, November 5, 2009
Notes to myself on beginning a painting.
1. Attempt what is not certain. Certainty may or may not come later. It may then be a valuable delusion.
2. The pretty initial position which falls short of completeness is not to be valued---except as a stimulus for further moves.
3. Do search. But in order to find what is not searched for.
4. Use and respond to the initial fresh qualities but consider them absolutely expendable.
5. Don't "discover" a subject---of any kind.
6. Somehow don't be bored---but if you must, use it in action. Use its destructive potential.
7. Mistakes can't be erased but they move you from your present position.
8. Keep thinking about Pollyanna.
9. Tolerate chaos.
10. Be careful only in a perverse way.
from Richard Diebenkorn's notebooks
Sunday, November 1, 2009
"This was what Bertrand Russell called his 'Ten Commandments' as a teacher.
1. Do not feel absolutely certain of anything.
2. Do not think it worthwhile to proceed by concealing evidence, for the evidence is sure to come to light.
3. Never try to discourage thinking for you are sure to succeed.
4. When you meet opposition, even if it should come from your husband, wife or children, endeavor to overcome it by argument and not by authority- for victory dependent upon authority is unreal and illusory.
5. Have no respect for the authority of others, for there are contrary authorities to be found.
6. Do not use power to suppress opinion you think pernicious, for if you do the opinions will suppress you.
7. Do not fear to be eccentric in opinion, for every opinion now accepted was once eccentric.
8. Find more pleasure in intelligent dissent than in passive agreement, for, if you value intelligence, as you should, the former implies a deeper argument than the latter.
9. Be scrupulously truthful, even if the truth is inconvenient, for it is more inconvenient when you try to conceal it.
10. Do not feel envious of the happiness of those who live in a fool's paradise, for only a fool will think that it is happiness."
1. Do not feel absolutely certain of anything.
2. Do not think it worthwhile to proceed by concealing evidence, for the evidence is sure to come to light.
3. Never try to discourage thinking for you are sure to succeed.
4. When you meet opposition, even if it should come from your husband, wife or children, endeavor to overcome it by argument and not by authority- for victory dependent upon authority is unreal and illusory.
5. Have no respect for the authority of others, for there are contrary authorities to be found.
6. Do not use power to suppress opinion you think pernicious, for if you do the opinions will suppress you.
7. Do not fear to be eccentric in opinion, for every opinion now accepted was once eccentric.
8. Find more pleasure in intelligent dissent than in passive agreement, for, if you value intelligence, as you should, the former implies a deeper argument than the latter.
9. Be scrupulously truthful, even if the truth is inconvenient, for it is more inconvenient when you try to conceal it.
10. Do not feel envious of the happiness of those who live in a fool's paradise, for only a fool will think that it is happiness."
Friday, October 30, 2009
Tuesday, October 27, 2009
"I don’t acknowledge barriers.
My attitude is kind of punk, in that I don’t respect rules or dogmas. I like mixtures, the challenges they present, and finding new solutions to old questions.
Why must the stage always be horizontal and the dancer vertical?
Why not use movement to subvert space and question gravity? And so I set about investigating ways to do that, in both the horizontal and vertical planes.
Art is not a question of winning and losing. It’s about exploration and experimentation and transformation and discovery, and I take great pleasure in that.”
Deborah Colker in nytimes 10/21/09
Monday, October 26, 2009
“For me, making art is about a sense of agency. I’m most interested in how to construct meaning through images from the fragmentary aspects of our lives. We don’t have to be passive participants in what goes on around us. We can be empowered by actively projecting our own meaning and understanding onto the world."
“The sheet of paper and the projection screen are membranes where the outside world meets my inside world. Art should be a dialogue. I expect my drawings, films and theatrical works to be met halfway by the viewer, who must also invest them with meaning.”
william kentridge- nytimes, 10/23/09
Thursday, October 22, 2009
Friday, October 9, 2009
"This is the true joy in life, the being used for a purpose recognized by yourself as a mighty one, the being thoroughly worn out before you are thrown on the scrap heap; the being a force of nature instead of a feverish selfish little clod of ailments and grievances complaining that the world will not devote itself to making you happy."
George Bernard Shaw
George Bernard Shaw
Friday, October 2, 2009
"How long had they been? Three hours? More? The distance between then and now was packed full of timeduring which his furious mind had prodded the outsides of a myriad fantasies and (if he were asked he would have said) nothing had happened. Thoughts of madness: Perhaps those moments of micast reality or lost time were the points (during times when nothing happened) when the prodding broke through. The language that happened on other muscles than the tongue was better for grasping these. Things he could not say wobbled in his mouth, and brought back, vividly in the black, how at age four he had sat in teh cellar, putting into his mouth, one after the other, blue, orange, and pink marbles, to see if he could taste the colors."
from Dhalgren by Samuel R. Delany
from Dhalgren by Samuel R. Delany
Saturday, September 26, 2009
"Want of imagination makes things unreal enough to be destroyed. By imagination I mean knowledge and love. I mean compassion. People of power kill children, the old send the young to die, because they have no imagination. They have power. Can you have power and imagination at the same time? Can you kill people you don’t know and have compassion for them at the same time?"
Wendell Berry
Wendell Berry
Friday, September 25, 2009
"I must say a word about fear. It is life's only true opponent. Only fear can defeat life. It is a clever, treacherous adversary, how well I know. It has no decency, respects no law or convention, shows no mercy. It goes for your weakest spot, which it finds with unnerving ease. It begins in your mind, always ... so you must fight hard to express it. You must fight hard to shine the light of words upon it. Because if you don't, if your fear becomes a wordless darkness that you avoid, perhaps even manage to forget, you open yourself to further attacks of fear because you never truly fought the opponent who defeated you."
from Life of Pi by Yann Martel
from Life of Pi by Yann Martel
Thursday, September 24, 2009
Friday, September 18, 2009
Thursday, September 17, 2009
"But who can say what's best? That's why you need to grab whatever chance you have of happiness where you find it, and not worry about other people too much. My experience tells me that we get no more than two or three such chances in a life time, and if we let them go, we regret it for the rest of our lives."
from Norwegian Wood by Haruki Murakami
from Norwegian Wood by Haruki Murakami
Wednesday, September 16, 2009
Tuesday, September 15, 2009
Monday, September 14, 2009
"Our contemporaries are constantly wracked by two warring passions: they feel the need to be led and the desire to remain free. Unable to destroy either of these contrary instincts, they seek to satisfy both at once. They imagine a single, omnipotent, tutelary power, but one that is elected by the citizens. They combine centralization with popular sovereignty. This gives them some respite. They console themselves for being treated as wards by imagining that they have chosen their own protectors. Each individual allows himself to be clapped in chains because that the other end of the chain is held not by a man or a class but by the people themselves.
Alexis de Tocqueville
Alexis de Tocqueville
Sunday, September 13, 2009
Thursday, September 10, 2009
Wednesday, September 9, 2009
Tuesday, September 8, 2009
Monday, September 7, 2009
Saturday, September 5, 2009
"Perhaps [transgression] is like a flash of lightning in the night which, from the beginning of time, gives a dense and black intensity to the night it denies, which lights up the night from the inside, from top to bottom, yet owes to the dark the stark clarity of its manifestation, its harrowing and poised singularity."
from Language, Counter Memory, Practice by Michel Foucault
from Language, Counter Memory, Practice by Michel Foucault
Friday, September 4, 2009
Thursday, September 3, 2009
"And what have I invested in interpreting disfocus for chaos? This threat: the only lesson is to wait. I crouch in the smoggy terminus. The streets lose edges, the rims of thought flake. What have I set myself to fix in this dirty notebook that is not mine? Does the revelation that, though it cannot be done with words, it might be accomplished in some lingual gap, give me the right, in injury, walking with a woman and her dog in pain? Rather the long doubts: that this labor tears up the mind's moorings; that, though life may be important in the scheme, awareness is an imperfect tool with which to face it. To reflect is to fight away the sheets of silver, the carbonated distractions, the feeling that, somehow, a thumb is pressed on the right eye. This exhaustion melts what binds, releases what flows."
from Dhalgren by Samuel R. Delany
from Dhalgren by Samuel R. Delany
Wednesday, September 2, 2009
"Stay?" Loufer's voice neared that other, upsetting tone. "Well, actually, I've thought about that one a lot. I think it has to do with- I got a theory now- freedom. You know, here- " ahead, something moved- "you're free. No laws to break, or to follow. Do anything you want. Which does funny things to you. Very quickly, surprisingly quickly, you become- " they neared another half-lit lamp; what moved became smoke, lobling from a window sill set with glass teeth like an extinguished jack-o-lantern- "exactly who you are." And Tak was visible again. "If you're ready for that, this is where it's at."
from Dhalgren by Samuel R. Delany
from Dhalgren by Samuel R. Delany
Tuesday, September 1, 2009
"The progressive world is necessarily divided into two classes - those who take the best of what there is and enjoy it - and those who wish for something better and try to create it. Without these two classes the world would be badly off. They are the very conditions of progress, both the one and the other. Were none who were discontented with what the have, the world would never reach anything better." from the essay 'Cassandra' by Florence Nightingale
Friday, July 31, 2009
Thursday, July 30, 2009
"All government, in its essence, is a conspiracy against the superior man: its one permanent object is to oppress him and cripple him. If it be aristocratic in organization, then it seeks to protect the man who is superior only in law against the man who is superior in fact; if it be democratic, then it seeks to protect the man who is inferior in every way against both. One of its primary functions is to regiment men by force, to make them as much alike as possible and as dependent upon one another as possible, to search out and combat originality among them. All it can see in an original idea is potential change, and hence an invasion of its prerogatives. The most dangerous man to any government is the man who is able to think things out for himself, without regard to the prevailing superstitions and taboos. Almost inevitably he comes to the conclusion that the government he lives under is dishonest, insane and intolerable, and so, if he is romantic, he tries to change it. And even if he is not romantic personally he is very apt to spread discontent among those who are."
H.L.Mencken
H.L.Mencken
Wednesday, July 29, 2009
Tuesday, July 28, 2009
Monday, July 27, 2009
Sunday, July 26, 2009
Thursday, July 23, 2009
"In no part of the Constitution is more wisdom to be found than in the clause which confides the wisdom of war or peace to the legislature, and not to the executive department...War is in fact the true nurse of executive aggrandizement. In war, a physical force is to be created; and it is the executive will which is to direct it. In war the public treasures are to be unlocked; and it is the executive hand which is to dispense them. ...It is in war, finally, that laurels are to be gathered, and it is the executive brow they are to encircle. The strongest passions and most dangerous waeknesses of the human breast; ambition avarice, vanity, the honorable or venial love of fame, all are in conspiracy against the desire and duty of peace."
James Madison
James Madison
"The case for individual freedom rests chiefly on the recognition of the inevitable and universal ignorance of all of us concerning a great many of the factors on which the achievement of our ends and welfare depend. It is because every individual knows so little and, in particular, because we rarely know which of us knows best that we trust the independent and competitive efforts of many to induce the emergence of what we shall want when we see it. Humiliating to human pride as it may be, we must recognize that the advance and even the preservation of civilization are dependent upon a maximum of opportunity for accidents to happen."
Friedrich Hayek
Friedrich Hayek
Wednesday, July 22, 2009
Tuesday, July 21, 2009
Monday, July 20, 2009
Interviewer:
"Why do you think you want to keep these records- all the shirt boards, the notes, and the files? Do you imagine other people reading them or are they just for you?
Gay Talese:
"I haven't given it much thought. I just don't want to throw them away. It's become an obsession with me now. I don't want to give the impression that I have an inflated sense of myself because I do not. But I do think that I am a chronicler. I want to report on what I have seen and heard and people I've known, and what I've done, because I think it's connected to history. I'm interested in leaving my mark. I keep records to testify to the fact that I'm alive."
Interviewer:
"Like the ZT.S.Eliot line, "These fragments I have shorn against my ruins"?
Talese:
"You bring intellectual bearing upon my banality."
from an interview by Katie Riaphe in The Paris Review vol.189
"Why do you think you want to keep these records- all the shirt boards, the notes, and the files? Do you imagine other people reading them or are they just for you?
Gay Talese:
"I haven't given it much thought. I just don't want to throw them away. It's become an obsession with me now. I don't want to give the impression that I have an inflated sense of myself because I do not. But I do think that I am a chronicler. I want to report on what I have seen and heard and people I've known, and what I've done, because I think it's connected to history. I'm interested in leaving my mark. I keep records to testify to the fact that I'm alive."
Interviewer:
"Like the ZT.S.Eliot line, "These fragments I have shorn against my ruins"?
Talese:
"You bring intellectual bearing upon my banality."
from an interview by Katie Riaphe in The Paris Review vol.189
Sunday, July 19, 2009
"...I have come to think that life is a far more limited thing than those in the midst of its maelstorm realize. That light shines into the act of life for only the briefest moment-perhaps only a matter of seconds. Once it is gone and failed to grasp its offered revelation, there is no second chance. One may have to live the rest of one's life in hopeless depth of loneliness and remorse. In that twilight world, one can no longer look forward to anything. All that such a person holds in his hands is the withered corpse of what should have been."
from The Wind-up Bird Chronicle by Haruki Murakami
from The Wind-up Bird Chronicle by Haruki Murakami
Saturday, July 18, 2009
"On a wild night he went through the dark of the apple orchards downriver while a storm swept in and lightning marked him out with his empty sack. The trees reared like horses all about him in the wind and the fruit fell hard on the ground like the disordered clop of hooves.
Suttree stood among the screaming leaves and called the lightning down. It cracked and boomed about and he pointed out the darkened heart within him and asked for light. If there be any art in the weathers of this earth. Or char these bones to coal. If you can, if you can. A blackened rag in the rain.
He sat with his back to a tree and watched the storm move on over the city. Am I a monster, are there monsters in me?"
from Suttree by Cormac McCarthy
Suttree stood among the screaming leaves and called the lightning down. It cracked and boomed about and he pointed out the darkened heart within him and asked for light. If there be any art in the weathers of this earth. Or char these bones to coal. If you can, if you can. A blackened rag in the rain.
He sat with his back to a tree and watched the storm move on over the city. Am I a monster, are there monsters in me?"
from Suttree by Cormac McCarthy
Friday, July 17, 2009
Thursday, July 16, 2009
Wednesday, July 15, 2009
Tuesday, July 14, 2009
'Mr. Kiefer sees a vengeful God and "the world as completely wrongly constructed," he said. But beauty can emerge: "If you try to do something you cannot do, it brings you farther, it brings you to something else, even if you fail."'...
'There are days when he paints and hates his work. "It's horrible," he said. "You're desperate, but the next day it becomes, sometimes, beautiful. Because I didn't see what was inside. Desperation is a material for artists."'
from 7/8/09 Steven Erlanger piece in N.Y.Times about Anselm Kiefer nad the new Paris Opera stage sets and costumes.
'There are days when he paints and hates his work. "It's horrible," he said. "You're desperate, but the next day it becomes, sometimes, beautiful. Because I didn't see what was inside. Desperation is a material for artists."'
from 7/8/09 Steven Erlanger piece in N.Y.Times about Anselm Kiefer nad the new Paris Opera stage sets and costumes.
Monday, July 13, 2009
"A poet makes himself a visionary through a long, boundless, and systematized disorganization of all the senses. All forms of love, of suffering, of madness; he searches himself, he exhausts within himself all poisons, and preserves their quintessences. Unspeakable torment, where he will need the greatest faith, a superhuman strength, where he becomes all men the great invalid, the great criminal, the great accursed--and the Supreme Scientist! For he attains the unknown! Because he has cultivated his soul, already rich, more than anyone! He attains the unknown, and if, demented, he finally loses the understanding of his visions, he will at least have seen them! So what if he is destroyed in his ecstatic flight through things unheard of, unnameable: other horrible workers will come; they will begin at the horizons where the first one has fallen!"
Arthur Rimbaud
Arthur Rimbaud
Sunday, July 12, 2009
"We die containing a richness of lovers and tribes, tastes we have swallowed, bodies we have plunged into and swum up as if rivers of wisdom, characters we have climbed into as if trees, fears we have hidden in as if caves.
I wish for all this to be marked on by body when I am dead. I believe in such cartography - to be marked by nature, not just to label ourselves on a map like the names of rich men and women on buildings. We are communal histories, communal books. We are not owned or monogamous in our taste or experience."
from The English Patient by Michael Ondaatje
I wish for all this to be marked on by body when I am dead. I believe in such cartography - to be marked by nature, not just to label ourselves on a map like the names of rich men and women on buildings. We are communal histories, communal books. We are not owned or monogamous in our taste or experience."
from The English Patient by Michael Ondaatje
Saturday, July 11, 2009
Friday, July 10, 2009
"Whoever separates his life from thought will not last. Whoever wishes to just wander along without thinking will meet his own death before he reaches his desired destination. By taking a step Paul had left the road, and his body followed along easily. The view that the eyes slowly take in tries to seduce him into the unknown. Another step....No hand to point the way. To remain in the unknown would be a good way to simply be. No need to own anything, no need for a grave."
from The Journey by H.G. Adler
from The Journey by H.G. Adler
Thursday, July 9, 2009
Wednesday, July 8, 2009
Monday, July 6, 2009
"But on bright summer days, in particular, so evenly disposed a luster lay over the whole of Barmouth Bay that the separate surfaces of sand and water, sea and land, earth and sky could no longer be distinguished. All forms and colors were dissolved in a pearl-gray haze; there were no contrasts, no shading anymore, only flowing transitions with the light throbbing through them, a single blur from which only the most fleeting of visions emerged, and strangely- I remember this well- it was the very evanescence of those visions that gave me, at the time, something like a sense of eternity."
from Austerlitz by W.G. Sebald
from Austerlitz by W.G. Sebald
Sunday, July 5, 2009
Saturday, July 4, 2009
Friday, July 3, 2009
Thursday, July 2, 2009
Wednesday, July 1, 2009
"Not a breath, not a sound—except at intervals the muffled crackling of stones that the cold was reducing to sand—disturbed the solitude and silence surrounding Janine. After a moment, however, it seemed to her that the sky above her was moving in a sort of slow gyration. In the vast reaches of the dry, cold night, thousands of stars were constantly appearing, and their sparkling icicles, loosened at once, began to slip gradually towards the horizon. Janine could not tear herself away from contemplating those drifting flares. She was turning with them, and the apparently stationary progress little by little identified her with the core of her being, where cold and desire were now vying with each other. Before her the stars were falling one by one and being snuffed out among the stones of the desert, and each time Janine opened a little more to the night. Breathing deeply, she forgot the cold, the dead weight of others, the craziness or stuffiness of life, the long anguish of living and dying. After so many years of mad, aimless fleeing from fear, she had come to a stop at last. At the same time, she seemed to recover her roots and the sap again rose in her body, which had ceased trembling. Her whole belly pressed against the parapet as she strained towards the moving sky; she was merely waiting for her fluttering heart to calm down and establish silence within her. The last stars of the constellations dropped their clusters a little lower on the desert horizon and became still. Then, with unbearable gentleness, the water of night began to fill Janine, drowned the cold, rose gradually from the hidden core of her being and overflowed in wave after wave, rising up even to her mouth full of moans. The next moment, the whole sky stretched out over her, fallen on her back on the cold earth."
Albert Camus
Albert Camus
Tuesday, June 30, 2009
"Filled with rapture, his soul yearned for freedom, space, vastness. Over him the heavenly dome, full of quiet, shining stars, hung boundlessly. From the zenith to the horizon the still-dim Milky Way stretched its double strand. Night, fresh and quiet, almost unstirring, enveloped the earth. The white towers and golden domes of the church gleamed in the sapphire sky. The luxuriant autumn asleep till morning. The silence of the earth seemed to merge with the silence of the heavens and the mystery of the earth touched the mystery of the stars.
Fyodor Dostoevsky
Fyodor Dostoevsky
Monday, June 29, 2009
Sunday, June 28, 2009
Saturday, June 27, 2009
"He did all this with great concentration in order to keep his thoughts at bay, in order to let them in only one at a time, having first asked them what they contained, because you can't be too careful with thoughts, some present themselves to us with a cloying air of false innocence and then, when it's too late, reveal their true wicked selves."
Jose Saramago
Jose Saramago
Friday, June 26, 2009
Thursday, June 25, 2009
Wednesday, June 24, 2009
Tuesday, June 23, 2009
Monday, June 22, 2009
"not only does the universe have its own laws, all of them indifferent to the contradictory dreams and desires of humanity, and in the formulation of which we contribute not one iota, apart, that is, from the words by which we clumsily name them, but everything seems to indicate that it uses these laws for aims and objectives that transcend and always will transcend our understanding."
Jose Saramago
Jose Saramago
Sunday, June 21, 2009
Saturday, June 20, 2009
Friday, June 19, 2009
Thursday, June 18, 2009
"Anyone whose goal is 'something higher' must expect someday to suffer vertigo. What is vertigo? Fear of falling? No, Vertigo is something other than fear of falling. It is the voice of the emptiness below us which tempts and lures us, it is the desire to fall, against which, terrified, we defend ourselves."
from The Unbearable Lightness of Being by Milan Kundera
from The Unbearable Lightness of Being by Milan Kundera
Wednesday, June 17, 2009
Tuesday, June 16, 2009
"So maybe she was up in the room trying to discover what her new self was, for when you get in love you are made all over again. The person who loves you has picked you out of the great mass of uncreated clay which is humanity to make something out of, and the poor lumpish clay which is you wants to find out what it has been made into. But at the same time, you, in the act of loving somebody, become real, cease to be part of the continuum of the uncreated clay and get the breath of life in you and rise up. So you create yourself by creating another person, who, however, has also created you, picked up the you-chunk of clay out of the mass. So there are two you's, the one you yourself create by loving and the one the beloved creates by loving you. The farther those two you's are apart the more the world grinds and grudges on its axis. But if you loved and were loved perfectly then there wouldn't be any difference between the two you's or any distance between them. They would coincide perfectly, there would be a perfect focus, as when a stereoscope gets the twin images on the card into perfect alignment."
from All the Kings Men by Robert Penn Warren
from All the Kings Men by Robert Penn Warren
Monday, June 15, 2009
Sunday, June 14, 2009
"Conditioned to ecstasy, the poet is like a gorgeous unknown bird mired in the ashes of thought. If he succeeds in freeing himself, it is to make a sacrificial flight to the sun. His dreams of a regenerate world are but the reverberations of his own fevered pulse beats. He imagines the world will follow him, but in the blue he finds himself alone. Alone but surrounded by his creations; sustained, therefore, to meet the supreme sacrifice. The impossible has been achieved; the duologue of author with Author is consummated. And now forever through the ages the song expands, warming all hearts, penetrating all minds. At the periphery the world is dying away; at the center it glows like a live coal. In the great solar heart of the universe the golden birds are gathered in unison. There it is forever dawn, forever peace, harmony and communion. Man does not look to the sun in vain; he demands light and warmth not for the corpse which he will one day discard but for his inner being. His greatest desire is to burn with ecstasy, to commerge his little flame with the central fire of the universe. If he accords the angels wings so that they may come to him with messages of peace, harmony and radiance from worlds beyond, it is only to nourish his own dreams of flight, to sustain his own belief that he will one day reach beyond himself, and on wings of gold. One creation matches another; in essence they are all alike. The brotherhood of man consists not in thinking alike, nor in acting alike, but in aspiring to praise creation. The song of creation springs from the ruins of earthly endeavor. The outer man dies away in order to reveal the golden bird which is winging its way toward divinity."
from The Time of the Asssasins: A Study of Rimbaud by Henry Miller
from The Time of the Asssasins: A Study of Rimbaud by Henry Miller
Saturday, June 13, 2009
"In the morning they came up out of the ravine and took to the road again. He'd carved the boy a flute from a piece of roadside cane and he took it from his coat and gave it to him. the boy took it wordlessly. After a while he fell back and after a while the man could hear him playing. A formless music for the age to come. Or perhaps the last music on earth called up from out of the ashes of its ruin. The man turned and looked back at him. He was lost in concentration. The man thought he seemed some sad and solitary changeling child announcing the arrival of a traveling spectacle in shire and village who does not know that behind him the players have all been carried off by wolves."
from The Road by Cormac McCarthy
Friday, June 12, 2009
"At first she talked. The third full day, rasping, Deary told both Lou and Pete about rocks. She was passing on a last-minute legacy. It took two hours on and off, and it was this: Frames of film comprise every rock in the world. (Have you got that?) If you slice a rock thin enough, and splice the slices serially as frames, you have a documentary film. The film displays the long history of the world from that rock's views. Together the world's rocks hold a visual record of all time. You splice the frames and store them in reels by continents and by some rough stabs at their more or less infinite subdivisions of regions and times. It all badly needed film editors...
-At any stage after splicing, one need only run the films through the projectors to see it, any of it, eventually all of it, the world from anywhere and all angles in all its times. At least up to a random cutoff point when someone wild with curiosity- called a halt and began slicing again. During and after the big work, ever-new rock would record films of the ongoing life of their sites: people showing up on the planet, and moving over it."
from The Maytrees by Annie Dillard- this passage reminded me of my friend Matthew Kern's paintings, see them at www.matthewkern.com
-At any stage after splicing, one need only run the films through the projectors to see it, any of it, eventually all of it, the world from anywhere and all angles in all its times. At least up to a random cutoff point when someone wild with curiosity- called a halt and began slicing again. During and after the big work, ever-new rock would record films of the ongoing life of their sites: people showing up on the planet, and moving over it."
from The Maytrees by Annie Dillard- this passage reminded me of my friend Matthew Kern's paintings, see them at www.matthewkern.com
Thursday, June 11, 2009
Wednesday, June 10, 2009
"Imagine an eye unruled by man-made laws of perspective, an eye unprejudiced by compositional logic, an eye which does not respond to the name of everything but which must know each object encountered in life through an adventure of perception. How many colors are there in a field of grass to the crawling baby unaware of 'Green'? How many rainbows can light create for the untutored eye? How aware of variations in heat waves can that eye be? Imagine a world alive with incomprehensible objects and shimmering with an endless variety of movement and innumerable gradations of color. Imagine a world before the 'beginning was the word.'"
Stan Brakhage
Stan Brakhage
Tuesday, June 9, 2009
Monday, June 8, 2009
"Art and morality are, with certain provisos…one. Their essence is the same. The essence of both of them is love. Love is the perception of individuals. Love is the extremely difficult realization that something other than oneself is real. Love, and so art and morals, is the discovery of reality."
Iris Murdoch
Iris Murdoch
Sunday, June 7, 2009
Saturday, June 6, 2009
"The people in the world, and the objects in it, and the world as a whole, are not absolute things, but on the contrary, are the phenomena of perception... If we were all alike: if we were millions of people saying do, re, mi, in unison, One poet would be enough... But we are not alone, and everything needs expounding all the time because, as people live and die, each one perceiving life and death for himself, and mostly by and in himself, there develops a curiosity about the perceptions of others. This is what makes it possible to go on saying new things about old things."
Wallace Stevens
Wallace Stevens
Friday, June 5, 2009
"The Idols of Tribe have their foundation in human nature itself, and in the tribe or race of men. For it is a false assertion that the sense of man is the measure of things. On the contrary, all perceptions as well of the sense as of the mind are according to the measure of the individual and not according to the measure of the universe. And the human understanding is like a false mirror, which, receiving rays irregularly, distorts and discolors the nature of things by mingling its own nature with it."
from Novum Organum by Francis Bacon
from Novum Organum by Francis Bacon
Tuesday, June 2, 2009
Monday, June 1, 2009
Sunday, May 31, 2009
Saturday, May 30, 2009
Friday, May 29, 2009
"...one of the brain's functions could be to be sensitive to more and more subtle levels of being; the brain could then function more as an antenna to pick up such levels rather that as something that would be only the 'initiator' of action. As long as the brain is following only its own internal goals, then it will be occupied; and that's necessary in certain contexts. But if we consider that it's also necessary to reach or contact the unlimited, then there must be silence - a lack of occupation."
from On Dialogue by David Bohm
from On Dialogue by David Bohm
Thursday, May 28, 2009
"...I became aware of the world's tenderness, the profound beneficence of all that surrounded me, the blissful bond between me and all of creation, and I realized that the joy I sought in you was not only secreted within you, but breathed around me everywhere, in the speeding street sounds, in the hem of a comically lifted skirt, in the metallic yet tender drone of the wnid, in the autumn clouds bloated with rain. I realized that the world does not represent a struggle at all, or a predaceous sequence of chance events, but the shimmering bliss, beneficent trepidation, a gift bestowed upon us and unappreciated."
Vladimir Nabokov
Vladimir Nabokov
Wednesday, May 27, 2009
Tuesday, May 26, 2009
Sunday, May 24, 2009
Saturday, May 23, 2009
Friday, May 22, 2009
Thursday, May 21, 2009
Wednesday, May 20, 2009
Tuesday, May 19, 2009
Monday, May 18, 2009
"A Klee painting named 'Angelus Novus' shows an angel looking as though he is about to move away from something he is fixedly contemplating. His eyes are staring, his mouth is open, his wings are spread. This is how one pictures the angel of history. His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise; it has got caught in his wings with such violence that the angel can no longer close them. This storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward. This storm is what we call progress."
Walter Benjamin
Walter Benjamin
Saturday, May 16, 2009
Friday, May 15, 2009
Thursday, May 14, 2009
Wednesday, May 13, 2009
Tuesday, May 12, 2009
Sunday, May 10, 2009
"To love. To be loved. To never forget your own insignificance. To never get used to the unspeakable violence and the vulgar disparity of life around you. To seek joy in the saddest places. To pursue beauty to its lair. To never simplify what is complicated or complicate what is simple. To respect strength, never power. Above all, to watch. To try and understand. To never look away. And never, never, to forget."
Arundhati Roy
Arundhati Roy
Saturday, May 9, 2009
Friday, May 8, 2009
Thursday, May 7, 2009
Wednesday, May 6, 2009
Tuesday, May 5, 2009
Monday, May 4, 2009
Sunday, May 3, 2009
Saturday, May 2, 2009
ELEMENTARY COSMOGONY
How to the invisible
I hired myself to learn
Whatever trade it might
Consent to teach me.
How the invisible
Came out for a walk
On a certain evening
Casting the shadow of a man
How I followed behind
Dragging my body
Which is my toolbox,
Which is my music box,
For a long apprenticeship
That has as its last
And seventh rule:
The submission to chance.
Charles Simic
How to the invisible
I hired myself to learn
Whatever trade it might
Consent to teach me.
How the invisible
Came out for a walk
On a certain evening
Casting the shadow of a man
How I followed behind
Dragging my body
Which is my toolbox,
Which is my music box,
For a long apprenticeship
That has as its last
And seventh rule:
The submission to chance.
Charles Simic
Friday, May 1, 2009
Wednesday, April 29, 2009
Tuesday, April 28, 2009
"It had seemed like the beginning of happiness, and Clarissa is still sometimes shocked, more than thirty years later to realize that it was happiness; that the entire experience lay in a kiss and a walk. The anticipation of dinner and a book. The dinner is by now forgotten; Lessing has been long overshadowed by other writers. What lives undimmed in Clarissa's mind more than three decades later is a kiss at dusk on a patch of dead grass, and a walk around a pond as mosquitoes droned in the darkening air. There is still that singular perfection, and its perfect in part because it seemed, at the time, so clearly to promise more. Now she knows: That was the moment, right then. There has been no other."
from 'The Hours' by Michael Cunningham
from 'The Hours' by Michael Cunningham
Monday, April 27, 2009
Sunday, April 26, 2009
Friday, April 24, 2009
"He got up and walked out to the road. The black shape of it running from dark to dark. Then the distant low rumble. Not thunder. You could feel it under your feet. A sound without cognate and so without description. Something imponderable shifting out there in the dark. The earth itself contracting with the cold. It did not come again. What time of year? What age the child? He walked out into the road and stood. The silence. The salitter drying from the earth. The mudstained shapes of flooded cities burned to the waterline. At a crossroads a ground set with dolmen stones where the spoken bones of oracles lay moldering. No sound but the wind. What will you say? A living man spoke these lines? He sharpened a quill with his small pen knife to scribe these things in sloe or lampblack? At some reckonable and entabled moment? He is coming to steal my eyes. To seal my mouth with dirt."
from 'The Road' by Cormac McCarthy
from 'The Road' by Cormac McCarthy
Thursday, April 23, 2009
Wednesday, April 22, 2009
Tuesday, April 21, 2009
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