"Perhaps such a search for the individuals, the 'units' of biology is misguided. The fundamental nature of life may not be atomistic but relational. The essence of the community...is the network of interactions, not the collection of selves." David George Haskell from The Song of Trees

"There is a time in life when you expect the world to be always full of new things. And then comes a day when you realise that is not how it will be at all. You see that life will become a thing made of holes. Absences. Losses. Things that were there and are no longer. And you realise, too, that you have to grow around and between the gaps, though you can put your hand out to where things were and feel that tense, shining dullness of the space where the memories are."
Helen Macdonald from H is for Hawk

"Best to let the broken glass be broken glass, let it splinter into smaller pieces and dust and scatter. Let the cracks between things widen until they are no longer cracks but the new places for things. That was where they were now. The world wasn't ending: it had ended and now they were in the new place. They could not recognize it because they had never seen it before."  Colson Whitehead, Zone One

"Every ecology, every community of plants and animals and soil, has its own particular kind of personality, or intelligence, which affects the people who live in it … Modern science might use different words, but it tells us exactly the same thing: the topography of a place, its geology, its weather, the flora and fauna which inhabit it alongside us – all of these aspects of a place contribute to the character and sense of identity of the people who live there." Sharon Blackie

"To know fully even one field or one land is a lifetime’s experience. In the world of poetic experience it is depth that counts, not width. A gap in a hedge, a smooth rock surfacing a narrow lane, a view of a woody meadow, the stream at the junction of four small fields ..." Patrick Kavanagh

"By facing what is happening and rendering it visible, artists challenge and empower viewers to confront and comprehend as well, offering footholds as we search our way forward." Julie Reiss from Brooklyn Rail essay "Art in the Climate Crisis"

"The universe is full of magic things, patiently waiting for our wits to grow sharper."  Eden Phillpotts

 "Much opportunity is heading toward us disguised as loss. And we’re going to need stories—deep, powerful, alchemical stories—to help guide us through such a time." Martin Shaw

 “He cried the relief he felt at finally seeing the pattern, the way all the stories fit together—the old stories, the war stories, their stories—to become the story that was still being told. He was not crazy; he had never been crazy. He had only seen and heard the world as it always was: no boundaries, only transitions through all distances and time.” Leslie Marmon Silko

 “It’s no metaphor to feel the influence of the dead in the world, just as it’s no metaphor to hear the radiocarbon chronometer, the Geiger counter amplifying the faint breathing of rock, fifty thousand years old. (Like the faint thump from behind the womb wall.) It’s no metaphor to witness the astonishing fidelity of minerals magnetized, even after hundreds of millions of years, pointing to the magnetic pole, minerals that have never forgotten magma whose cooling off has left them forever desirous. We long for place; but place itself longs. Human memory is encoded in air currents and river sediment.” Anne Michaels, Fugitive Pieces

"Pay attention. Be honest. Tell about it."  Mary Oliver

 “Societies never know it, but the war of an artist with his society is a lover’s war...And he does at his best what lovers do, which is to reveal the beloved to himself and with that revelation to make freedom real.” James Baldwin from a 1962 essay "The Creative Process"

"When we commit to action, the universe comes to meet us in unforeseen and providential ways as though it holds the extra firestick needed to ignite the fire. It only does this once the leap into the unknown has been taken." Lucy Neal in Playing for Time: making art as if the world mattered 

“Don’t ask what the world needs. Ask what makes you come alive, and go do it. Because what the world needs is people who have come alive.”
Howard Thurman

 "The civilizing process sought to do away with two attributes that today are the cause of the terminal crisis being suffered: by the negation of the spirit and the destruction of nature. Both phenomena lie at the bottom of the malaise of modernity.
Sooner or later, every human being faces the challenge of recognizing their own spirit. Spirituality does not appear, except as a result of their confronting, not fleeing from, the world. It is the response of being ‘in front of the abyss’. Faced with the lack of logic or meaning of existence, faced with the incommensurability of the universe."
Victor M. Toledo in Resilience, 9/2020

"If you have looked hard at the manner of things, if you have surveyed the troubles of our time, and cannot discover a way forward, do not despair. Do better. Grieve: mount an altar to the sensuous feelings of loss that swim through you. In the stinging fumes that redden the eyes, you might partly recover a clear vision of where to go.

You might come to see that forward movement is no longer possible in these moments, and that the way to go was never forward anyway – but awk-ward: into the blackness of catacombs, into the shadows of sanctuary, into the riven cracks signed with the pen of the trickster, into the heat of compost, into the position of a prostrated man who knows that when the storm roars the thing to do is to be still. In that stillness, entire worlds churn."

Bayo Akomolafe

 “...stretches of a path might carry memories of a person just as a person might of a path.”

Robert Macfarlane in Ghostways

"I made myself pay attention to places where I thought nothing was going on... then after a while, the landscape materialized in a fuller way. Its expression was deeper and broader than I had first imagined  at first glance." Barry Lopez

 “My originality consists in ... the logic of the visible at the service of the invisible.” Odilon Redon

 "A man must dream a long time in order to act in grandeur, and dreaming is nursed in darkness."
Jean Genet

 "The soul speaks its truth only under quiet, inviting, and trustworthy conditions.
The soul is like a wild animal — tough, resilient, savvy, self-sufficient, and yet exceedingly shy. If we want to see a wild animal, the last thing we should do is to go crashing through the woods, shouting for the creature to come out. But if we are willing to walk quietly into the woods and sit silently for an hour or two at the base of a tree, the creature we are waiting for may well emerge, and out of the corner of an eye we will catch a glimpse of the precious wildness we seek." Parker Palmer

"And suddenly I apprehend in it the dark proposal of the ground. Under the fallen leaf my breastbone burns with imminent decay. Other leaves fall. My body begins its long shudder into hummus. I feel my substance escape me, carried into the mold by beetles and worms. Days, winds, seasons pass over me as is ink under the leaves. For a time only sight is left me, a passive awareness of the sky overhead, birds crossing, the mazed inter reaching of the treetops, the leaves falling - and then that, too, sinks away. It is acceptable to me, and I am at peace."
From Wendell Berry’S 1968 essay entitled “A Native Hill”

"... the thing I love best in literature. It takes a personal question (or a moment of doubt could be another way of thinking about it) and interrogates lines of inquiry surrounding that question, historically and psychologically. After a while the answer is known but it no longer matters because the expanding life of the question is what keeps us reading. This is the kind of book that demands I slow down the closer I get to its end, preparing myself for the loss of the speaker in my world." Claudia Rankine

“The songs of the guardians of silence

are the most powerful.” Joy Harjo 

“I had been looking at the world as if it were cracks in a pavement. But it’s not about the individual cracks, it’s about the patterns and the networks...” Jonathan Ledgard

"When people look at my pictures I want them to feel the way they do when they want to read a line of poetry twice." Robert Frank

“I think the chanciest thing is to put spirituality in art,...Because people don’t understand it. Writers don’t know what to do with it. They’re scared of it, so they ignore it. But if there’s going to be any universal consciousness-raising, you have to deal with it, even though people will ridicule you.” Betye Saar

“…when it comes to the sacred — which is what she’s really talking about — the line between freakish and sublime is slight in every culture.” Holland Cotter in review of Mrinalini Mukherjee work

"Sometimes he wondered what zone of transit he himself was entering, sure that his own withdrawal was symptomatic not of dormant schizophrenia, but of careful preparation for a radically new environment, with its own internal landscape and logic, where old categories of thought would merely be an incumbrance."
from The Drowned World by J.G. Ballard 

"The hardest thing of all is to see what is really there."
J.A. Baker in The Peregrine

sketchbook

today's mood

"...Western civilization is suffering from a great sickness of the soul. The West's progressive turning away from functioning spiritual values; its total disregard for the environment and the protection of natural resources; the violence of inner cities with their problems of poverty, drugs, and crime; spiraling unemployment and economic disarray; and a growing intolerance toward people of color and the values of other cultures- all of these trends, if unchecked, will eventually bring about a terrible self-destruction."
Malidoma Patrice Some from Of Water and the Spirit

"To perceive matter that casts no shadow, you must search not for its presence but for its consequence." Robert Macfarlane in Underland

"Great art is connected with courage and truthfulness. There is a conception of truth, a lack of illusion, an ability to overcome selfish obsessions, which goes with good art, and the artist has got to have that particular sort of moral stamina. Good art, whatever its style, has qualities of hardness, firmness, realism, clarity, detachment, justice, truth. It is the work of a free, unfettered, uncorrupted imagination. Whereas bad art is the soft, messy self-indulgent work of an enslaved fantasy." Iris Murdoch

"There is no overstating the triumph of having remained motivated by beauty in taking down the ugliest of malignancies of human nature’s grasp for power. "

Maria Popova about Rachel Carson

sketchbook

surprised a napping fawn in the meadow

sketchbook

a crow stole an egg from our dove residents

“It isn’t about being entertaining or pretty,” he said, taking a drag on his cigar. “Art is about expanding intelligence and broadening the viewer’s capacity to understand the world.”
Pedro Cabrita Reis

“I would say that I’ve tried, in my work, to find out how to live life — tried to explore what our existence really is and the meaning of it.”
Martin Scorsese

"Novelists are like fur trappers. They disappear into the north woods for months or years at a time, sometimes never to reemerge, giving in to despair out there, or going native (taking a real job, in other words), or catching their legs in their own traps and bleeding out, silently, into the snow. The lucky ones return, laden with pelts."

Jeffrey Eugenides

"I will close with what Meadow once told me about being an artist. It is partly a confidence game. And partly magic. But to make something you also need to be a gleaner. What is a gleaner? Well, it is a nice word for a thief, except you take what no one wants. Not just unusual ideas or things. You look closely at the familiar to discover what everyone else overlooks or ignores or discards."
Dana Spiotta from Innocents and Others

"They who dream by day are cognizant of many things which escape those who dream only by night"
Edgar Allen Poe

“When I seek, I look, look, look….”
Benoit Mandelbrot

"Soul is the master,
and matter its natural subject."
Plato

"The Good Earth"

from the collection of Rene & Paul

"Life passes into pages if it passes into anything. I like to write about certain things that if they are not written about are not going to exist."- James Salter

Nick Paumgarten says about Salter- "You come away from his work wondering if you should have lived more, even if living more, in his work, often leads to ruin."

"Marina"

22x16"

"I wanted everything I learned to be an opening into the unknown, whereas Gerry's knowledge added up to a closed circle, bringing him safely back to where he began, confirming him."
-Tessa Hadley from her short story Valentine

“The role of the art is to accept that things break down. That’s the only way to get something new to emerge.” Per Kirkeby

"The object of art is not to make salable pictures. It is to save yourself."

Sherwood Anderson

"When you're writing, you're trying to find out something which you don't know. The whole language of writing for me is finding out what you don't want to know. What you don't want to find out. But something forces you to anyway."
James Baldwin

"I may not have gone where I intended to go, but I think I have ended up where I needed to be."
Douglas Adams

"You're not a failure," she told him one day. "No. You're not even embittered. Not like one of those East Europeans, people like Cioran and the rest. You're just unlucky. Like someone... like someone who..." (she was searching for the word and he was wild with gratitude: she's understood me, I'm not a professional failure!)---"That's it. You're like an undetonated shell with its devastating power intact. You're an explosion still waiting to be heard."
Andrei Makine from The Life of an Unknown Man

Eddie helped paint the porch...

When I get the sense that a new book is beginning, I start a notebook into which I put anything that might seem relevant, which could be a large-scale plot idea, something overheard on the bus, or a descriptive phrase that came to me on a walk. I don't actually start writing that book until out of all this has emerged a pretty clear plan for the whole thing. I can't just start writing and see what happens. Of course improvisation is an important part- I would find it dreadfully boring if I planned everything. What keeps you going are the discoveries you make in the course of writing."

Alan Hollinghurs, from an interview in The Paris Review

"only dead fish follow the stream"

- a Finnish expression

"Workmanship of risk is, generally, the making of anything individually by hand, the creation of a product that is never exactly the same twice...

Because the outcome of workmanship of risk is never certain, the quality of it is determined by the care, dexterity, and judgement of the worker...

from Wooden Boats by Michael Ruhlman

“When love and skill work together, expect a masterpiece.”

John Ruskin

"I never if I can help it get into the specifics of songs and their meanings. If you're a songwriter, and your idea is that your songs are helpful to yourself and others, they sort of operate on this sense of mystery. They don't function if they are explained; it puts out the fire." Ryan Adams in nyt interview 10/11/11

treasures found behind the wall at 2107

"He loathed gentility and social convention. To him they smacked of fakery, like the various artistic symbolisms, Surrealism among them, that modern painting had contrived. The real world, stripped bare, already presented unfathomable strangeness and fascination. An artistic life should exhaust itself trying to unpack it."

Michael Kimmelman about Lucian Freud

"Outside it is day. You have entered, and your eyes are blinded with so much darkness. It penetrates deeply into the pupils of your eyes and hurts. You close your eyes for a moment, until they have adjusted themselves. Both are within you, the darkness and the brightness, they are yours in the depths of you retina, and you can draw them from the same well; which it will be depends on whether you stand in the light or in darkness."

from The Death of the Adversary by Hans Keilson

"The sea had jeeringly kept his finite body up, but drowned the infinite of his soul. Not drowned entirely, though. Rather carried down alive to wondrous depths, where strange shapes of the unwarped primal world glided to and fro before his passive eyes; and the miser-merman, Wisdom, revealed his hoarded heaps; and among the joyous heartless, ever-juvenile eternities, Pip saw the multitudinous, God-omnipresent, coral insects, that out of the firmament of waters heaved the colossal orbs. He saw God's foot upon the treadle of the loom, and spoke it; and therefore his shipmates called him mad. So man's insanity is heavens sense; and wandering from all mortal reason, man comes at last to that celestial thought, which, to reason, is absurd and frantic; and weal or woe, feels then uncompromised, indifferent as his God."

from Moby Dick by Herman Melville

"... in America, where a national bent for proprietary branding can confuse a signature look with quality."

Peter Schjeldahl in a review of Blinky Palermo

"If you listen first, and write later, then whatever you write will have had time to filter through your brain, and you'll be in what you say. This is what makes you exist. If you are only a reflector of information, are you really there?"

Jaron Lanier

tree i pass on my walk from Union Station to NMAI

The television stayed on day and night, singing like a Siren in the crowded house. “Come sit by me and die a little,” it said.

Salvatore Scibona from Where I Learned to Read in the June 13 New Yorker

"It took me years to realize a very simple thing, which is that when you write fiction you're raising questions, and a lot of people think you're playing a little game with them and that actually you know the answers to the questions. They read your question. They don't know how to answer correctly. And they think that if they could only meet you personally and look into your eyes, you could give them the answers.

At readings I'm quite often speechless, actually. I am very happy that I am striking a nerve. But it's when they take it a step further and think that i have the salve for the nerve I've hit, or that I have personally lived through that myself, and that therefore we have a common bond, because they have also lived through that - then I begin to realize that what is between me and other people isn't kinship but a kind of gulf."

Anne Beattie in The Paris Review

found in federal hill

"Repressed people take it out on the people around them. Enfranchised people discover pride."

Roger Cohen in the NYT

"For me, however, the greatest pleasure is to overcome some difficulty, to find or invent something while I work. I begin by posing myself a problem. But I don't wish merely to solve this problem. While I solve it, I want to find something else, I want to stumble across something that prods me into unknown territory. Out of boredom or the need to entertain myself, I end up discovering something that gives me pleasure.

This kind of work seems to develop me, to educate me, while painting landscapes is another matter entirely. There I enter into a much more sensual state of the soul, in which I have the satisfaction of finding exactly what I already know. Many painters surrender themselves to this sensual pleasure- it allows them to duplicate the things they already know, and they think it's a marvel that all these creations are ultimately recognizable as their own work.

It's a little bit like fairy tales, which end exactly the same way they did the last time we heard them."

Saul Steinberg

"... grand ideas kill first efforts. Begin with something in your range. Then write it as a secret. I'd be paralyzed if I thought I had to write a great novel, and no matter how good I think a book is on one day, I know that a time will come when I will look upon it as a failure. The gratification has to come from the effort itself. I try not to look back. I approach the work as though, in truth, I'm nothing and the words are everything. Then I write to save my life. If you are a writer, that will be true. Writing has saved my life."

Louise Erdrich in The Paris Review

found at the edge of the harbor in baltimore...

“Grant mystery it‘s eternal validity and rather than solving it, look for ways to contemplate it and give it honor.”

Thomas Moore

Blizzard Park

22x16"

"The writer must be universal in sympathy and an outcast by nature: only then can he see clearly."
from Flaubert's Parrot by Julian Barnes

"Mr. Neuberger bought all his works himself, usually through dealers. And his taste ran toward the bold. “I liked adventuresome work that I often didn’t understand,” he told The Times as he was celebrating his 100th birthday. “For art to be very good it has to be over your head.”

from the NYT obit for Roy R. Neuberger

"I don’t distort. I comment honestly and make pictures of my perceptions. The celebrity is but a person to me. I see them within the primary moment. I try not to have previous assumptions. Each moment is the only moment that we have. We have to enter it without prejudice and with the thought that it may be the last one. The photograph is an attempt to give the perception of the moment some relationship to immortality."

from an interview with Larry Fink in the NYT

from the sketchbook:

trees in frozen river

from the sketchbook

from the sketchbook...

from the sketchbook- morning glories in the alley

"We learned a whole new attitude about what art could be- not expression but investigation."

Jack Goldstein about John Baldessari's teaching

"What's the average time a person looks at a painting- seven seconds? I want to get them hooked. I have to raise the bar in such a way that they're not going to get it, but they want to get it."

John Baldessari

"The road less traveled sure got a lot of stones."

Everlast from the Whitey Ford Sings the Blues album

"We, as a species, are always looking for cathedrals made of fire, and part of the thrill of reading a great book is the promise of another yet to come, a book that may move us even more deeply, raise us even higher. One of the consolations of writing books is the seemingly unquenchable conviction that the next book will be better, will be bigger and bolder and more comprehensive and truer to the lives we live. We exist in a condition of hope, we love the beauty and truth that come to us, and we do our best to tamp down our doubts and disappointments."

Michael Cunningham

"When you get to the end of your rope, tie a knot and hang on."
Franklin D. Roosevelt

found in the park this morning

"I should advise you to put it all down as beautifully as you can- in some beautifully bound book. It will seem as if you were making the visions banal- but then you need to do that- then you are freed from the power of them... Then when these things are in some precious book you can go to the book & turn over the pages & for you it will be your church- your cathedral- the silent places of your spirit where you will find renewal. If anyone tells you that it is morbid or neurotic and you listen to them- then you will lose your soul- for in that book is your soul."

Carl Jung

from the sketchbook-

'out on a limb in the dark'

8x15"

"It is the first vision that counts. The artist has only to remain true to his dream and it will possess his work in such a manner that it will resemble the work of no other... for no two visions are alike, and those who reach the heights have all toiled up steep mountains by a different route. To each has been revealed a different panorama."

Albert Pinkham Ryder

"Was there ever a more horrible blasphemy than the statement that all the knowledge of God is confined to this or that book? How dare men call God infinite, and yet try to compress Him within the covers of a little book!"

Swami Vivekananda

"I would hope that my music is smarter, stronger than I am. It should be elastic and sophisticated enough to endure many listenings, many interpretations. It's like scrambling onto the roof from the highest rung of the ladder which lies just beneath the lip of the roof. Every musical thing I do is like jumping onto the roof from that rung. Higher, better than I can be most of the time."

Patricia Barber from her blog

"How life is strange and changeful, and the crystal is in the steel at the point of fracture, and the toad bears a jewel in its forehead, and the meaning of moments passes like breeze that scarcely ruffles the leaves of willows. "

from All the King's Men by Robert Penn Warren

found at ferry bar park today

while scavenging for styrofoam

for an installation at school 33 in january

"For the sake of a few lines one must see many cities, men and things. One must know the animals, one must feel how the birds fly and know the gesture with which the small flowers open in the morning. One must be able to think back to roads in unknown regions, to unexpected meetings and to partings which one had long seen coming; to days of childhood that are still unexplained, to parents that one had to hurt when they brought one some joy and one did not grasp it (it was joy for someone else); to childhood illness that so strangely began with a number of profound and grave transformations, to days in rooms withdrawn and quiet and to mornings by the sea, to the sea itself, to seas, to nights of travel that rushed along on high and flew with all the stars-and it is not enough if one may think all of this. One must have memories of many nights of love, none of which was like the others, of the screams of women in labor, and of light, white, sleeping women in childbed, closing again. But one must also have been beside the dying, one must have sat beside the dead in the room with the open window and the fitful noises. And still it is not enough to have memories. One must be able to forget them when they are many, and one must have the great patience to wait until they come again. For it is not yet the memories themselves. Not until they have turned to blood within us, to glance, to gesture, nameless and no longer to be distinguished from ourselves-not until then can it happen that in a most rare hour the first word of a verse arises in their midst and goes forth from them."
from 'The Notebooks of Malte Laurids Brigge' by Rainer Maria Rilke

"Hercules was slain by a magic shirt he had donned in all innocence, its poisoned fabric immediately fusing with his own skin, burning on his body like boiling oil. He could not cast it off again except at the price of his very life.

Groaning, roaring, and finally mad with the pain, this invincible man tore his own skin and flesh from his bones along with the shirt, laid bare his bleeding sinews, his shoulder blades, the red cage of his ribs, and inside it, lungs burning out, his heart. He fell. And the light from that day gathered in seven ponds, into which the wretched man's blood and sweat dissolved, seven mirrors that bore the image of the sky,- clouds, shadows, emptiness. Then it was night. But the light of the seven ponds remained and rose up, stars among the stars of the firmament."

from " The Last World" by Christoph Ransmayr

from the sketchbook,

reflections in lavalette canal

"Each forest outline, each pond, the course of each river had glided itself through the hands of Arachne the weaver, the deaf mute, for whom, so Echo said, her loom was a window trellised with threads, looking into a garishly bright and soundless world...

Echo alone would have been capable of understanding her explanation and of translating for the Roman how her tapestry was of value to the deaf-mute woman only as long as it was still growing, stretched on the frame of her loom's beams and shafts. Once completed, whatever landed in this moldy room would be pulled out again only when a smelter or a farmer wanted to decorate his sooty walls with a beautiful landscape gave her a sheep in trade, whereupon Arachne would simply cut the ropes binding its legs and let it run wild on the stony terraces of the cliffs."

from "the Last World" by Christoph Ransmayr